Just arrived!

This designer panel is by Hitomi Fujita for QH Textiles, one of many I stock (ideal for combining in a sashiko sampler quilt). These stunning original designs take hanafukin panels in a new direction, while staying traditional.  Inspired by the patterns dyed on the linings of traditional firefighters' hanten jackets, here a firefighter is gazing up at the matoi, a symbol for a firefighter to carry and wave on a roof as an alert to fire nearby. The number two in Japanese 二 (ni) decorates the top of the matoi, giving this design it's name niban-gumi (second group). You can read more about how the old Edo fire brigades were organised here. A special design for those who are really interested in Japanese traditional culture. Please see my stitching suggestions below for ways to stitch this design to best advantage.

Hand printed in Japan.

Limited quantities!

It is a 'hana fukin' with literally means 'flower cloth' and printed on indigo blue coloured narrow width traditional sarashi cloth (an easy to stitch traditional Japanese cotton cloth). Each panel is supplied in one piece with a plain area the same size attached, because they are designed to be stitched through both layers and the edges turned in to make a little cloth, but you can stitch the printed layer separately (as I often do). They may be stitched with a doubled or single thread (or a mixture of both, for an interesting effect), in white or using coloured threads. Any of my medium sashiko threads would be ideal for these panels.

Stitching suggestions for the panel -
Use different thread colours to emphasise different parts of the design. Different shades of white and cream could give a sense of movement to the matoi, which are usually black and white, with the poles in a reddish colour - you can get some more colour ideas from ukiyo-e prints here.  Red and mid blue would work well for the firefighter's hanten jacket, with his face and headband in white.  The background lines could be picked out in a golden shaded thread. Or stitch the whole panel in white or cream for a more traditional look, perhaps varying the thread thickness for extra interest.

These hand printed designer panels are more expensive than the other hanafukin I sell, but the patterns are so beautiful, I wanted to start selling them! I have more more designs by Hitomi Fujita in stock, including larger panels.

Sashiko Cloth by QH Textiles (Australia)
 
Printed with water-soluble ink - marks wash out
 
Composition : 100% Cotton
 
Individual Cloth Size : Approx. 30cm x 60cm (Finished size : 30cm x 30cm)
 
About Sarashi cotton -
Sarashi cloth is quite lightweight compared with other sashiko fabrics, but is very easy to stitch, super absorbent and wears well.  It is one of the fabrics traditionally used for kimono underwear! The second photo shows a comparison between these panels and those by Olympus Thread Mfg. Co., which are most of the other hanafukin I sell. This QH Sarashi fabric is a slightly finer weave, although the stitch length is about 3mm (the same as my Olympus panels), and is the one in front in the photo. The fabric shown both plain and with 5mm dots is the Olympus fabric. The shade of blue is also very slightly different (it actually looks more extreme in the photo than in real life). For a quilt or other project using hanafukin panels, you could mix the two brands and the colour difference would be minimal. If however, you want an exact colour match with all the panels, please just use hanafukin designs from one brand.